Hacienda Labadie: A Center for Enslaved Descendant Heritage

Hacienda Labadie, Moca, P.R.

While there are multiple sites and approaches to engaging the past in Puerto Rico, I understand there is no one location that can attest to the variety of experiences that ancestors had as they moved towards freedom. In this excerpt from part 4 of “Reconstructing the Missing Registro de Esclavos for Northwest Puerto Rico”, (Hereditas, 20.2,2024) I consider some of what I learned from attending meetings for different Enslaved Descendant Communities in Virginia to better understand how these gatherings and actions can work in the context of Puerto Rico. It is a privilege to see the work of these amazing groups that preserve the memory of these ancestors while providing access and resources for others who do this work.

Recently, the Municipio de Moca had a questionnaire about what the role of Casa Labadie is, however there was no questions that concerned the past before 1873. This kind of activity would supplement the efforts of the Middle Passage Ceremonies and Port Markers Project and PROPA – Puerto Rican Organization for the Performing Arts.

Enslaved Descendant Communities in the Context of Puerto Rico

At various historical sites today, the many descendants of various enslaved communities are connecting via the pairing of DNA and the digitization of archival materials.  This increased access to digitized documents is happening alongside large-scale efforts to collect, preserve and share these experiences and family histories of enslaved descendants.  When we consider Northwest Puerto Rico as the site of such activity, the locations linked to trafficking span oceans across a myriad of histories and transactions that creates a lacework of relationships. Clearly there is space for commemoration and memorialization of the lives that passed through the process of enslavement to emancipation over hundreds of years. 

Hacienda Labadie, Moca, P.R.
Hacienda Labadie, Moca, PR. Front of main building, Barrio Aceitunas, Moca, P.R. Photo: EFS, 2007

      A potential site for a center for Enslaved Descendant Communities is the Hacienda Labadie in Barrio Aceituna, Moca. Once owned by the Pellot family, it was sold to Pedro Labadie, and to his wife, Cecilia who was formerly enslaved there. The original buildings were of wood and rebuilt in a French architectural style in 1903, as it appears today. The history of enslavement at Hacienda Labadie extends a century earlier, when cultivation began to shift to the production of coffee and sugar.  Before the rise of sugar cultivation, the barrio was made up of the open pastures of military outposts. Just after 1800, the hato located in Barrio Aceitunas of Moca were subdivided and sold, often to the European emigres who arrived under the Real Cedula de Gracias of 1815⁠.[1]  Slavery diversified, and while numbers never approached those of other Caribbean islands, the economic system still relied on enslaved labor. 

The development of Enslaved Descendant Communities can provide advantages for families to research their ancestries at different locations and find ways to commemorate, memorialize and explore what reparations mean for descendants today.   The descendants of people enslaved by James Madison have organized into The Enslaved Descendant Community for Montpelier. Recently, they held a workshop to explore their options for memorialization of their ancestors who labored there. The results intend to recognize those who labored to create the landscape of Montpelier, whether it was those whose skills built the buildings, or those who worked at the big house in a variety of capacities or tended the fields of this plantation. This process offers a means to a fuller and more complex story of the site.

How to Proceed: The Rubric as Model

Fig 22: Cover, Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. (2018)

What Montpelier’s Enslaved Descendant Community uses as a blueprint for mapping potential projects together is a document called ‘The Rubric’ short for Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. [2] 

The Introduction opens with why this is necessary work: 

“What is the ideal relationship between descendent communities and institutions that interpret slavery? Historically, the relationship between these two groups is complicated: many institutions have avoided interpreting slavery, often from fear of estranging donors or visitors. While these fears are valid, by not interpreting the lives of the enslaved, institutions fail to tell a complete story. This failure perpetuates historical and ongoing trauma to the descendants of those enslaved there, and to anyone whose ancestors were brought to the Americas during the transatlantic slave trade. When institutions shy away from creating relationships with descendants, the failure speaks volumes to the descendant community, especially as these institutions continue to profit from their ancestors’ labor and pain⁠.”[3]

The enslaved people who provided the labor of plantations, farms and surrounding haciendas have had only passing acknowledgement over time — mostly as a class of enslaved workers rather than as a community with a shared experience in slavery. 

By making their participation visible, the historical narrative told can refocus on various aspects such as the law, architecture, even cultural trends that worked to constrain and expand their lives. Part of this shift “goes to the heart of genealogical practice regarding the ways that the families of enslaved people were documented. How do we record those enduring social links that existed despite their designation as mobile forms of property?” As genealogical practice undergoes desegregation, newer methodologies develop that can take advantage of what oral history, community history and DNA can offer.  While some of this activity is taking place online, access to records and a need for training others on working with these document sets is needed so that communities can find their ancestors and ancestral kin.  In turn, this process can continue to generate a better understanding of this past, its generational traumas and its profound resilience. 

Conclusion

My hope is that these initial family narratives show that there are many connections that can be made between the document sets produced through the process of emancipation- registration forms, census, municipal documents, parish records and the Registro Civil. There are some for whom an extensive tree can be constructed, and others, like the newborns inscribed by Laguerre, have no parent listed. Regardless, these documents lend visibility to the strategies and relationships that helped these communities survive. As social beliefs shift, these narratives serve as a confirmation of history and humanity, rather than a framework for a social problem.[14]  A plantation has multiple histories, not simply those of its owners. 

The process of forming Enslaved Descendant Communities in Puerto Rico at historic sites can work as an opportunity for connection and development.  Increasingly, people who are DNA testing are finding matches tied to Puerto Rico and are also seeking these ancestors. The coming years will see an increase in projects such as Enslaved Descendant Communities that combine digitization with archival materials to produce a fuller understanding of a past that connects so many ancestors, beyond the boundaries of Boriken. May we continue to learn their histories, may they rest in peace and power.  


[1]For more on Pellot and the rise of Hacienda Labadie, see Ellen Fernandez-Sacco “Reconstructing the Missing Registro de Esclavos Pt.1”  Hereditas, 20.2, 2019, 68-90. https://www.academia.edu/49048096/Reconstructing_District_3s_Missing_1872_Registro_Central_de_Esclavos_Part_1

[2] The Rubric: Deliverable from the 2018 National Summit on Teaching Slavery. Montpelier Descendants.org  https://montpelierdescendants.org/rubric/

[3] Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. https://montpelier-documents.s3.amazonaws.com/Interpreting%20Slavery%2011-12-19.pdf

[4] E. Fernandez-Sacco, “Bound to History: Leoncia Lassalle’s Slave Narrative from Moca, Puerto Rico, 1945.” Genealogy, 2020 4:93, 20. https://www.mdpi.com/2313-5778/4/3/93

  1. ↩︎

November 2025: Presentations & Podcasts

Migration & Names, Genealogy Quick Start, November 2025

This was a busy month! On Tuesday evening, I was a special guest on Shamele Jordon’s Genealogy Quick Start on the Migration and Names episode, talking about my third great grandfather in The Many Names of Telesforo Carrillo, based on a previous blog post. She is an amazing host, and I love her energy. Michael John Neill did the first part of the show, “Benjamin Butler Serves Research Suggestions” making suggestions for locating and verifying a very mobile ancestor who lived in several states over the course of his life.

While I spoke for just a half hour, i’m amazed at how a very long time researching ultimately distilled a story out of documents finally brought together. Thanks to the help of cousins, I pulled together documents to understand more about the struggles that each generation faced. Self identification and self determination weave through the lives of my ancestors. As a child in the South Bronx, I did get to meet Telesforo’s daughter Catalina, my great grandmother, who lived to be 104 years old. I ended with my grandfather’s 1925 passport, a folded page with the only photo of his first wife, Carolina Dorrios Picon and their three children, Bobby, Gloria and Sylvia Fernandez, in a photograph that is now a century old.

There are 213 episodes of Genealogy Quick Start, full of resources and recommendations for your browsing pleasure!

Rediscovering Latinidad, Season 7 Ep.8

Rediscovering Latinidad released their Kissing Cousin episode– Season 7 Ep. 8 – Cuando los primos se exprimen: La endogamia y el matrimonio entre primos, and I enjoyed talking with hosts Eduardo Rueda and Jellisa. Check it out as we go full cringe with endogamy and cousin marriage! This premier podcast about Latino genealogy, culture, heritage and rich layers of intersectionality also has a Patreon. With seven seasons of podcasts, Rediscovering Latinidad is a great resource for learning more about family history, with links for additional information on each episode page.

Rediscovering Latinidad Season 7 Episode 10

Rediscovering Latinidad also rereleased their most popular episode from Season 7 Episode 10, La Caida de 23andMe/ The Fall of 23andMe, with guests my cousin Teresa Vega and I. Teresa’s extensive knowledge of DNA and complex family histories adds to the discussion. Check out her blog, Radiant Roots Boricua Branches for fascinating research on Revolutionary War ancestors, ancestors from Madagascar, and deep dives into family history.

silhouette of Moses Williams, about 1802
Moses Williams, cutter of profiles

On November 19, I participated in the Library Company of Philadelphia’s virtual symposium Finding Moses Williams, along with four amazing scholars, who shared new insights on his art, life and family. He left a considerable body of work, and perhaps, descendants. So much to learn from these talks!

Here’s a list of the presentations:

Carol Soltis, Finding Moses in the Peale-Sellers family album.

Nancy Proctor, Presenting Moses at The Peale Baltimore.

Ellen Fernandez-Sacco, Not Yet Completely Free, The Context of Gradual Emancipation & the Family of Moses Williams 1776-1830.

Dean Krimmel, Locating Moses Williams in Philadelphia, new information about Moses Williams’s life and death based on a re-examination of Philadelphia’s primary sources.

Lauren Muny, Moses Williams, A Technical View.

View the Finding Moses Williams symposium on YouTube : https://www.youtube.com/watch?v=ZLxsuixugCk

ps just replaced the link for the symposium, and they’re working now!

Wishing you a very happy December! Seneko kakona!

Finding Moses Williams: a virtual program, 19 Nov. 2025

silhouette of Moses Williams, about 1802

Thrilled to announce i’ll be presenting along with four other speakers at an upcoming virtual program. The Library Company of Philadelphia’s Program in African American History and the Center for American Art at the Philadelphia Art Museum are sponsoring the event.

My twenty minute talk, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia, 1776-1830.” presents the results of an archival journey. While I searched for information on Moses Williams, I instead found indentures in the Pennsylvania Abolition Society Papers for his family members that let me reconstruct his family tree. These records show how a Free Black family navigated a difficult economy in the decades before the 1838 census.

This talk draws on my article which appeared in volume 43 of the AAHGS Journal. The Sons and Daughters of the US Middle Passage awarded me the Phillis Wheatley Literary Award this past June for the article.

title slide, Not Yet Completely Free
title slide, Not Yet Completely Free,

Finding Moses Williams: the program

The other presenters are Carol Soltis, Nancy Proctor, Dean Krimmel, & Lauren Mulvey with an introduction by Sarah J. Weatherwax, Senior Curator, Library Company. Appreciate the knowledge shared & discussed over the preceding months with artists and scholars whose work focuses on Moses Williams. There is much to learn about Williams life, art and family.

Please register at the link below the program description:

profile of Moses Williams ca 1802

Finding Moses Williams

Free Virtual Program

November 19th , 2025 at 1 PM ET

This program of illustrated talks by five speakers focuses on the identification of the exceptional hollow-cut paper profiles created by Moses Williams (1776-1830) at Peale’s Philadelphia Museum and on presenting new historically accurate information about Williams’s life and family. Moses’s parents were manumitted by Peale in 1786 and Moses, who was born enslaved, was then indentured to Peale by his parents until age twenty-eight

Raised within the Peale family, Moses was literate and trained in skills for creating and installing the Museum’s displays of art and natural science. After the installation of a physiognotrace device for creating hollow-cut paper profiles in 1802, Moses was freed and given the concession to operate this new attraction. The popularity of this inexpensive form of portraiture and the highly accurate and elegant profiles Moses cut, made him financially independent.

Recent research into Moses’s life provides us with a clearer understanding of his artistry and other activities, as well as his death date and the identity of his descendants. And, the story of Williams’s birth family illuminates how the practice of indenture used by Free Black families, like the Williams family, was a strategy for seeking financial stability.

A small selection of Moses Williams’s profiles will be on display at the Library Company during November and December and in the Peale Gallery at the Philadelphia Museum of Art.

REGISTER HERE

This program is sponsored by the Library Company of Philadelphia’s Program in African American History and the Center for American Art at the Philadelphia Museum of Art.

The Story of Moses Williams: on Bernice Bennett’s Ancestor’s Footsteps

image of player for Moses Williams Ancestor's Footprint

I’m happy to share that my interview with Bernice Bennett on her podcast, Ancestor’s Footsteps will be on air, tomorrow, March 24 on Spreaker– the link is below.

In “Moses Williams, his Family & Gradual Emancipation. ” I offer a brief overview of what I learned about the Williams family in Philadelphia in the Early National period, based on my journal article, “Not Yet Completely Free” in the Winter v. 43 issue of the AAHGS Journal.

Bernice’s new podcast is a wonderful source, where you can listen to her & her guests discuss a wide range of historical and contemporary topics weekly, so be sure to tune in!

https://www.spreaker.com/episode/moses-williams-1776-1830-his-family-gradual-emancipation-with-dr-ellen

Not Yet Completely Free – An Evening with AAHGS Journal Writers: 12 Feb 2025

flyer An Evening with AAHGS Authors for 12 February 2025

So happy to announce i’ll be talking about my recent publication in the Winter 2025 issue of the Afro-American Historical and Genealogical Society Journal, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, 1776-1833.”

I’ll discuss the 1780 Gradual Emancipation Act in Philadelphia, part of the lesser known history of Northern slavery. By tracing the family histories connected to the silhouette artist and museum artisan and assistant Moses Williams (1776-ca 1833) one can catch sight of the challenges experienced by African descended and multiethnic Free People of Color in their emancipation process in this city. Williams was among the children of John and Phylis Williams, a couple held in bondage until 1786. He worked in the Philadelphia Museum of Charles Willson Peale from his childhood to adulthood and was manumitted about 1802.

Shamele Jordon will present on the heritage of Green Book locations in New Jersey, and Mary Belcher and Guy Weston will discuss recovery and reclamation of Black cemeteries in Washington DC and Flushing New York.

The event is for AAHGS members, so join today!

Black History Month: a guide for the perplexed

carte de visite, Baltimore 1870s
carte de visite, Baltimore 1870s
studio portrait, Baltimore, 1870

Confused as to the importance of Black History Month?

Here’s a handy reference guide so you don’t forget:

January….. Black History Month

February…. Black History Month

March ……. Black History Month

April ………. Black History Month

May ………. Black History Month

June …..…. Black History Month

July ……….. Black History Month

August …. Black History Month

September …. Black History Month

October ……… Black History Month

November …. Black History Month

December …. Black History Month

Recommended

Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History. Beacon Press, 1995.

Moses Williams: The First Black Museum Professional

Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of Moses Williams, Cutter of Profiles, 1802. Library Company of Philadelphia

So happy to share that “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia 1776-1833. ” is in the latest issue of the AAHGS Journal!

Volume 43 Winter Edition of the AAHGS Journal is available via Amazon. Editor Guy Oreido Weston brought together articles that span several states. The issue delves into family and local histories, the recovery and reclamation of Black cemeteries in Washington DC and New York.

Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia 1776-1833.

Moses Williams is a paradigmatic figure for the 250th Anniversary of the founding of our country. Born into slavery in 1776, and eventually freed by 1803 under the terms of the 1780 Gradual Emancipation Act, Williams was the first Black museum professional. For a time, he owned property and a house at 10 Sterling Alley; he had a wife and at least four children. Raised in the museum, in proximity to the Peale children, Williams learned how to read, how to prepare birds and other animals for displays. Eventually he cut silhouettes there using a patented machine. In 1810, he considered his role important enough to tell the census enumerator that he ‘attended at the Museum’.

Now in 2025, an amazing group of historians, curators, writers and artists from different institutions & independent professionals are focusing on Williams’ life and craft. This is a sea change from the shock I experienced listening to an exasperated curator ask why look at him? in the midst of the Peale exhibition touring nationally some two decades ago. I published my first article in Museum Anthropology detailing what I learned about Williams, who also figured in my dissertation. This built on then-current Peale scholarship on the audience for Peale’s Museum. Black history did not figure into the history of museums, even though to function, some institutions were dependent on the labor of enslaved and indentured persons. Similar to Monticello, the Peale project suffered from a segregated history that has changed since the late 1990s.

Since then, Williams has been recognized as an artist and artisan in his own right, part of a growing community through exhibitions organized by Gwendolyn DuBois Shaw and other scholars. There is also an initiative by Faye Anderson, Director of All That Philly Jazz; she also serves on the Advisory Council on Historic Preservation, and plans to have him remembered with a historical marker where his former home stood, to be featured in future walking tours of the city.

Thanks to Nancy Proctor’s leadership at The Peale Baltimore’s Community Museum, much is done to anchor Williams’ memory into the 21st century– through the Accomplished Arts Apprenticeship Program and the creation of a Moses Williams exhibit at the museum. All of these projects do not just focus in on Williams, but intersects with community, provide spaces for connecting to the fabric of historic Philadelphia and present day Baltimore.

Williams is a historical figure I can relate to. He knew a lot about many things, was literate and skilled with his hands. When I went to museums I found myself connecting to the people who worked there cleaning, protecting and maintaining the collections, and so I see him as a kindred spirit, an ancestor who deserves to be taken seriously. To see the constructed nature of the display, its arrangement, the acquisitions taken as booty in wartime, silenced behind display labels shows the larger threads that colonization wove to establish particular kinds of truth. There was a silencing or veiling of the destruction of Native settlements and the genocide that accompanied these early campaigns, also tied to an economy built on the backs of enslaved people. Despite these challenges, Williams’ presence is there, part of a larger story of this nation.

Beyond the display were questions of family. Even with what was reconstructed and recently discovered, there remain questions and the hope of finding more fragments to pull together. I’m part of a group that shares these new finds. Public historian Dean Krimmel working with The Peale found a probate file showing that he died 18 December 1830; of three daughters, two, Louise and Sarah are named, his son Carl became Charles. Now we know he had four children with Maria– whose surname remains unknown. The likelihood of finding descendants today increases with these additional names.

Descendants of John & Phillis Williams- The Williams Family Tree

But back to Williams and his family. Their experiences resonate, as they lived under the threat of kidnapping and forced deportation, the result of the constitutional amendment passed in 1793– the Fugitive Slave Act. They did everything to insure their family’s survival, even if that meant separation by indenture. My research uses details from the Pennsylvania Abolition Society Papers, church records, the Peale Papers, newspaper accounts, census records and other items to reconstruct two generations of the Williams family. My hope is that this reconstruction makes it possible for descendants to connect.

Hope, resilience and faith in a better future drove their choices. To face the future despite the challenges is what defines the Williams’ family history.

May the ancestors rest in power.

AAHGS Journal’s Author’s Forum: 19 September 2024

2024 Sept - AAHGS Journal Author's Forum

Tonight i’m happy to share that ‘ll be participating in the AAHGS Journal’s Author Forum– with Kevin McGruder, Myrtle Thierry Palmer and Guy Weston, from 7-9PM this evening. The event recording will be available later for members to view in case you can’t make the live event.

I’ll provide an overview of “Searching for Lorenzo Ubiles, Alcalde de Barrio, Humacao, 1873” based on my previous Ubiles blogpost. Delighted at the geographic spread that each of us covers, from Louisiana to Philadelphia to New Jersey and Puerto Rico.

Genealogy Foundations: Tips and Strategies for Beginning Your African American Genealogy Journey

Genealogy Foundations flyer

Today, Saturday, 20 July 2004, I’ll be participating on a panel & talking about Puerto Rico with host Brian Sheffey, Dr. Shelley Murphy and Renate Yarborough-Sanders to share insights on getting started on your African American Genealogy Journey, thanks to the Center for Family History at the IAAM, the International African American Museum!

The event will be live-streamed at 1PM on Facebook and recorded to YouTube.

You can watch the recorded event below:

Restoring the Legacy of Moses Williams: A Case Study of Emancipation

AAHGS 45th National Conference banner

Thrilled to announce that my presentation proposal, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia, 1776-1833.” was accepted for the 45th AAHGS National Conference this October!  Appreciate the opportunity to share, learn and contact other genealogists and family historians at this wonderful event, hosted by AAHGS President LaJoy Mosby. 

The conference theme is “Fighting Erasure: Staying Visible by Keeping African American Genealogy and History in Focus.” This centers on the “role of preserving and spotlighting African American history and genealogy in the broader narrative of American history.” 

Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of “Moses Williams, Cutter of Profiles, 1802″Library Company of Philadelphia.

Here’s my abstract for my presentation, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia, 1776-1833.” :

When the word slavery comes to mind, many think of the US South, rather than the Northern states. Northern slavery’s history is less well known, particularly in states with gradual emancipation—Pennsylvania, New York, New Jersey, Connecticut. This presentation focuses on the family histories tied to the silhouette artist and museum artisan Moses Williams (1776-ca 1833), to glimpse African descended, Free People of Color and the challenges faced in their process of emancipation. The reality of bondage challenges the image of Philadelphia, a city so closely identified with national freedom. Important clues for Moses Williams and his family are contained in archives that includes the Pennsylvania Abolition Society, and records for his former enslaver, the Maryland-born portrait painter and Philadelphia-museum owner Charles Willson Peale (1746-1823). Peale held Williams’ parents between 1776-1786, and freed Williams in 1803. Most archival material on the Williams family is excavated from the Papers of the Peale Family, newspapers, deeds & census records. While the origins of Williams parents remain a question, records suggest the situations that Free Black Philadelphians contended with under the 1780 act for Gradual Abolition. Freedom was negotiated and paid for with terms of service at a tender age. This case study shows how the increased availability of digitized records and community research helps restore the experiences of free Black families to a larger historical narrative. 

My deep thanks to Nancy Proctor and Dean Krimmel of The Peale Baltimore, who have invited me to share my work on Moses Williams, who now has a museum space and internship program named after him; and to Carol Soltis, of the Philadelphia Museum of Art, who is currently studying Williams’ technique and style for the profiles he produced, that numbered nearly nine thousand. Williams’ family members experienced degrees of unfreedom in different ways, and I seek to acknowledge their resilience by considering the ways they sought freedom at the cusp of the nineteenth century.