This morning I sit with the work of Paul Rucker, who manifests the realities behind terminology, and the coercive, body destroying violence that is a part of the legacy of white supremacy. His strategic use of sound and image in a multi-disciplinary performance reanimates imagery to memorialize the nearly 4800 African Americans lynched between 1882-1968. While people from different ethnicities were also lynched, African Americans were disproportionately targeted.
The video begins with his electronic score for revealing the rate of prison building in America, to one a day. Lights begin to appear, color coded to time periods in which areas rapidly spread and merge. This is a parasitic system on the body politic, something that continues to suck lifeblood as the system of penalties keeps removing access to education, housing, food out of reach while providing a captive labor force with wages under $2 an hour. This violence is slow moving, constraining millions of people from the ability to define themselves, their families and their lives. It’s enshrined in the 13th Amendment.
Yet many are unable to grasp just how high the social cost of imprisonment actually is, and that the US holds over 2.1 million people in prison, a disproportionately black population that continues to grow.
As genealogists & family historians, this growth means that working with records of incarceration will become a requirement as we close towards a present where generations are being shaped more by incarceration and deportation than schools, families and communities. And last week, we saw the plans for indefinite incarceration of brown people escaping violence and seeking asylum, and this weekend, people march against the policy, with over 750 locations across the country. That sinking feeling returns, yet knowing we are witnessing another round of the 1870s and 1890s gives me hope that this country can do better than inspire last century’s racist vision of purity. We have been here before.
There’s a close connection to the economy and the logic of targeting the poor as the reason, rather than the structural inequality of wealth produced in the US . The Great Depression was not caused by Americans living in poverty. That the GDP for Puerto Rico is half that of Mississippi, the poorest state in the country, was not caused by the people of Puerto Rico. Let us turn further back.
For hundreds of years, slavery removed or hampered access to equality for millions of people. Colorism (which is with us in myriad forms) then refined that access further. Both are legacies that need to be grappled with in the building of family trees and the acceptance of DNA results. The legal structures that made those issues possible are still present today, and continue to shape inequality. How to tell those stories differs, and different formats help to convey different facets of experience. I want to share the work of artists who communicate a complex story visually, to provide a visceral understanding for difficult historical and contemporary moments.
Rucker’s work transforms the news of lynching into dangling figures that remind us of the human toll, a legacy that cannot be denied or forgotten. Numbers serve to abstract realities , and when humans are represented by numbers, their lives can sink into definitions that render them unremarkable and disposable. We write against this tide.
This ongoing work of restoring humanity to our ancestors continues. QEPD, May they Rest In Peace, may we realize a long term vision for a world with restorative justice. To seek an end to inequality, racial terror and trauma is the task of every generation, just as it is urgently ours today.
Oral history, Alex Haley’s Roots and the question of proof
Change takes time. It can feel glacial when looking at the time frame for the development of genealogy for people of color in the US. As Nicka Smith recently reminded us in the video of Ep20b of BlackProGenLIVE on Talks Diversity in Genealogy and Family History, our path is difficult because a fundamental building block is oral history.  As she pointed out, ‘the problem of the color line‘ remains a very real one in genealogy. I’m into understanding that context, and want to take an opportunity to look back at another decade’s work where the push for truth served to reinforce a boundary. The question of proof in genealogy always looms large. For examples of practice, don’t miss the list of blogs at the end of this post.
A quote from a 1983 article that contained a relentless takedown of Alex Haley’s book Roots: The Saga of an American Family, reveals the seams along which professional genealogy developed, some eighty years earlier. This split posits the document against the voice in oral history as the legitimate source of data. Thirty-three years ago, this genealogical work was an endeavor that missed the boat in its insistence on paper as the ultimate proof, and perhaps the location there is significant, as it came out of the deep South.
Facts, Claims and the Logic of Proof
The claim that ‘No ethnic group has a monopoly upon oral tradition or documentation, literacy or illiteracy, mobility or stability' ignores the fact that enslaved people counted for chattel, that various populations were brought to labor in oppressive conditions here, and key is that most people of color were not party to creating documentation on their own behalf reflective of them as equal people with equal rights. This goes well beyond “superimposing racial divisions upon all aspects of life…” and ignores that the struggle for civic recognition reaches back to the founding of the country. The fear expressed then, was that Haley’s book could constitute a ‘…delusion that encourages mediocre scholarship in the nascent field of Afro-American genealogy and relegates black family history to the academic dark ages from which Caucasian genealogy has already emerged…’.
The problem is that this logic of ‘documentary proof as the only valid proof’ is part of the problem of structural racism, inadvertently or deliberately serving ‘to perpetuate social stratifications and outcomes that all too often reflect racial group sorting rather than individual merit and effort.’ To continue to claim this kind of proof as the only proof is an exclusionary exercise, in effect, one that insists on documentation within a context where one side holds the power, and is also one that perpetuates the gap between White Americans and Americans of color.
The following chart shows the interlocking parts of this system:
In essence, what we are witnessing today is a gradual process of desegregation within genealogy practiced in the U.S.
Strategies and Projects: Restoring Visibility & Developing Methodologies
Within the last two decades, genealogists in the field of African American genealogy have developed strategies for working with oral histories and published accounts and have successfully incorporated them within the Genealogical Proof Standard. It follows the growth of historical, sociological and cultural work on various dimensions of the experience and process of enslavement, the development of various communities of color and difference as legitimate fields of inquiry. Now there is a growing awareness of combined efforts that defy simple ethnic or racial classification as with Marronage, those hidden and open maroon communities where people of African, Indigenous and varying admixtures stole themselves to, to gain self-determination. These historic episodes do not fit neatly into traditional genealogy and require new modes of recording, interpreting and disseminating data on the families of these communities.
Given the location, this work has neither a smooth or clear path to acceptance; for instance, one can look at the changes in the narratives offered by Monticello in the 1990s to the 2010s, with the recent Public Summit on Race and the Legacy of Slavery (Sep 2016) and the recent conference (Mar 2018) Interpreting Slavery Also important are the in-place interventions by Joseph McGill of The Slave Dwelling Project, and Michael J Twitty’s rising recognition as a culinary and historical authority with his blog Afroculinaria and his important book The Cooking Gene are gaining wider regard.
The summit, “Memory, Mourning, Mobilization: Legacies of Slavery and Freedom in America” would not have been possible without the oral histories along with the genealogical and DNA data collected by the Getting Word project at Monticello. As a result, descendants now have the opportunity to stay overnight through the Slave Dwelling Project. McGill continues to expand to new sites, to have important conversations as a group participates in a simple, visceral experience of sleeping in slave cabins.
On Episode 315 (Mar 15 2018) of Research at the National Archives and Beyond, Bernice Bennett interviewed genealogist Kenyatta D. Berry, on her work with a consortium of 30 US universities currently researching and dealing with their involvement in slavery. Within their discussion the question of data, access and interpretation by descendants, genealogists and historians is in a process of development. The variety of needs range from establishing a historical narrative to understanding context, creating macro and microhistories that can recombine with documentation to create larger interdisciplinary spaces that can accommodate community. This is a coming to the table on a large scale, that holds the promise of shifting how we see our past and our future as a nation. Our family trees reach long and far indeed, with many finally linking their past to places beyond borders using documents, oral history and DNA.
Also consult the blogs of members of Black ProGen below (scroll down) to see more projects that take on various facets of genealogy to see examples of this broader change, and join us at BlackProGen LIVE twice monthly on YouTube.
Weighing what matters
I’m not saying that Alex Haley’s work cannot be analyzed for the errors it contains, but instead, that the weight of its context and the moment of its production mattered. Cited in The NY Times (and unnamed in a later article) was eminent Yale historian Edmund Morgan, who recognized that Roots was “a statement of someone’s search for identity… it would seem to me to retain a good deal of impact no matter how many mistakes the man has made. In any genealogy there are bound to be a number of mistakes.” Morgan was the author of American Slavery, American Freedom: The Ordeal of Colonial Virginia (1975), a title that points to the persistent contradiction in the founding of this nation. Overall, historians were not alarmed. Ultimately, Haley’s book proved more novel than fact, but more importantly, it captured the imagination of millions, inspiring many to pursue their own genealogy and family history. The stakes were high for claiming a rightful place as part of US history.
What Haley achieved at the time of the National Bicentennial was to tell a story of national import from a black perspective, as he hoped “his story of our people can help to alleviate the legacies of the fact that preponderantly the histories have been written by the winners.”. One early reviewer of his work noted, “And so, he did write his entire story from the Black perspective which is sorely needed to connect the institutions and fill the void left by the omission of ‘objective’ white historians, the winners in the war of human degradation—slavery…. it is the cultural history laid bare upon the canvas of time devoid of the misconceptions and misinterpretations of a people rationalizing their sins against humanity.”
Roots and its subsequent miniseries did not omit the range of violence perpetrated on a fully human people and claimed a historical place in the narrative of America. It countered a dominant historical and legal framework of being partially human at best, and defied the weight of stereotypes from popular media. Roots is not a pretty picture of inheritance, but instead one that spoke to audiences the realities of enslavement, resilience, continuity and survival in a vivid, cinematic fashion, from a narrative with an origin in the spoken word. That challenge and denial of oral history as a legitimate basis of the experiences of people of color is slowly eroding…. Slowly.
There is an equivalence in the genealogical field that is beginning to be dismantled, an implicit claim whereby scholastic levels of genealogy equates to whiteness. Yet to paraphrase Audrey Lorde, one cannot dismantle the master’s house with the master’s tools. This work is done as the field opens up to POC more broadly, who bring a different set of experiences, lineages and techniques that draw upon contexts both within and outside of traditional genealogy. It is also up to genealogists who are not POC to weigh what that legacy is and how it impacts the who, what and where of their practice.
In order to see the connection between genealogy and the ideology of whiteness more clearly, one has to go back to the 1880s, when genealogy was part of the toolkit for the pseudoscience of eugenics. This was a conduit for previous ideas about racial inferiority from the previous century, now cloaked in respectable ‘science’. It was buttressed by social and institutional dynamics that maintain racial hierarchies and racialized public policies and institutional practices, a shifting framework that is still in operation today.  It is a discourse of social division and superiority emergent after the election of November 2016, thrown into relief by the events at Charlottesville, Virginia.
Eugenics: technologies of segregation, genealogy & policy
At its most basic, eugenics is a set of beliefs and practices about how to improve the human population. There was ‘positive eugenics’ aimed at promoting sexual reproduction among those with desired traits and ‘negative eugenics’, which sought to limit certain populations from reproducing. The movement started in the UK and spread to many countries, including the US and Canada in the early twentieth century. This instigated the formation of programs intent on improving the population, that led to marriage prohibition and forced sterilization programs. These experiences are part of thousands of family histories tied to experimentation, social policies, with roots in settler colonialism.
Genealogy was important to eugenicists, because it was a map that traced the transmission of ‘defective germ-plasm’ through families, which contrasted with the legacy of white western men with genealogies of ‘quality’. This ultimately translated into policies that generated thousands of sterilizations, destroyed families with the fear of miscegenation, and transformed poverty into a problem of the individual, not society. Yet many states passed laws, as did Virginia that led to over 7,000 people being sterilized– and increasingly as archives make these documents available to the public, a better understanding of the high cost of eugenic policy emerges. Many paid, and continue to pay with their lives.
Paul Popenoe & Roswell Hill Johnson’s Applied Eugenics (Macmillan, 1918) is an appalling and unapologetically racist book. In it, the authors suggest that genealogy become the study of heredity and the legacy of traits in a family. It denies the backdrop of colonialism and slavery to blame peoples of African descent, immigrants and those living in poverty for the conditions that result from exploitation. Conveniently, context does not come into their analysis: “The historical, social, legal and other aspects of genealogy do not concern the present discussion. We shall discuss only the biological aspect…” Genealogy was seen as the way to accomplish the goal of identifying certain lineages as social problems to be dealt with via policy decisions.
Consider the backdrop for the publication of this text- in 1915, Popenoe presented his paper on eugenics at the First International Congress of Genealogy, sponsored by the California Genealogical Society and held during the 1915 Panama-Pacific Exposition in San Francisco. That same February that this world’s fair opened, also saw the release of D.W. Griffith’s Birth of a Nation, 3 hours of racist propaganda that fired up the Lost Cause, the KKK and stoked racial violence. None of this is lost on myself as a colonial subject, a Taino woman of ethnic admixture with a disability, who was elected and happened to be the first POC to become President of the California Genealogical Society just a century later. I worked with the board to change our motto to “Connecting people to their diverse family heritage.” I imagine Mr. Popenoe is spinning in his grave.
Over three decades, eugenic explanations went over big in the US. The authors pointed to the centrality of genealogy in delivering eugenics as a means to controlling populations ‘scientifically’:
“The science of genealogy will not have full meaning and full value to those who pursue it, unless they bring themselves to look on men and women as organisms subject to the same laws of heredity and variation as other living things. Biologists were not long ago told that it was essential for them to learn to think like genealogists. For the purpose of eugenics, neither science is complete without the other; and we believe that it is not invidious to say that biologists have been quicker to realize this than have genealogists. The Golden Age of genealogy is yet to come.” 
Medicine, law, sociology and statistics were seen as the beneficiaries of genealogical information collected at centers in the US. This led to some 60,000 Americans being sterilized in the US between 1907 and the 1970s. 
Popenoe’s book offers justifications for segregation, and falls back on phrenology’s racial hierarchies for explanations of inferiority as intrinsic to the body. In terms of the black body, the book conflates the limitations of resources with a lack of progress, noting that “If so, it must be admitted that the Negro is different from the white, but that he is eugenically inferior to the white.”
Those who did better on the tests were surmised to have “more white blood in them” and proceeds to determine a racial quantum based on percentages as did Thomas Jefferson in his Notes on the State of Virginia (1781), and the eighteenth century Casta paintings of Mexico. . You can revisit some of Jefferson’s ideas about African peoples excerpted here .
It follows that Papenoe and Hill Johnson proposed to prohibit interracial marriage, and their chapter on ‘The Color Line’ culminates with recommendations to put this into law as four states did (LA, NV, SD, AL) by 1918, before turning to immigration. 
Across the text, begins to appear the familiar language that Nazi Germany put into operation— the idea that the colonizers of North America were of the Nordic race appears on p 301, and proposals for implementing sterilization to stop those ‘whose offspring would probably be a detriment to race progress.”  The plan is to remove people to a colony, tracts of land with large buildings to separate out the unwanted  
The idea of separation and segregation was one endorsed by law across the US and funded by various non-profits that discovered ways to ‘elevate’ those with ‘Nordic’ ancestry, while subjecting the poor, infirm, immigrants and people of color to identities and practices such as sterilization that reinforced their subjugation. As historian Edwin Black noted, “California was the epicenter of the eugenics movement” that had “extensive financing by corporate philanthropies, specifically the Carnegie Institution, the Rockefeller Foundation and the Harriman railroad fortune. They were all in league with the some of America’s most respected scientists hailing from such prestigious universities as Stanford, Yale, Harvard and Princeton.”
Charities were paid to seek out immigrants in “crowded cities and subject them to deportation, trumped up confinement or forced sterilization.” The Rockefeller Foundation even funded a program that Josef Mengele worked in before he went on to Auschwitz. It comes as no surprise then, that such organizations propagandized for the Nazis, and funded them in Germany. If one fell beyond the gentrified genetic lines such as those persons who worked, researched and enabled the legal structures of these programs, those deemed weak or unfit were subject to extraction.
In August 1934, California eugenicists arranged for a Nazi scientific exhibit to be shown at the LA County Museum as part of the Annual Meeting of the American Public Health Association. Such exhibits legitimized what circulated in American popular culture through the 1920s and 1930s at state fairs and even world fairs. Similar ideas are circulating today within Far Right channels and from members of the US Government today; internationally, we see the growth of this ideology spread within sites of settler colonialism.
Eugenics hit its nadir within a decade through its association with Nazi Germany, and later testimony at the Nuremberg trials, where human rights abuses carried out as eugenics programs were claimed to be little different than the US.  What is problematic is that wherever such programs are employed, the criteria of selection are determined by whatever group is in political power. 
It is precisely this history that the field of genealogy has to recover from.
As a field, genealogical practice has expanded beyond the accumulation of facts and details to encompass the social histories of those overlooked or at risk of falling into obscurity. Cemeteries are being restored and along with that, the local histories of suppressed, exiled or earlier occupants of towns and cities are coming into visibility- and let us include and embrace our diasporic connections and activities within this circle.
Documentaries, podcast series like those of Angela Walton-Raji’s African Roots podcast and Bernice Bennett’s Research at the National Archives and Beyond help to disseminate new information, findings and work through social media channels. These sources have reached audiences well beyond the journal publications of various genealogical and historical societies.
There is an opening up towards acknowledgement of past harms done to various communities, that acknowledge pain while transforming it into knowledge and sites where people can come to the table and support each other in unpacking the past. This is not a kumbaya moment, but one where the aftermath of enslavement and its social and institutional reach into the present can be faced.
DNA adds another dimension, revealing past relationships that range from the coercive to the consensual that happened, and when augmented by oral history and documents, the process literally brings into visibility parts of ourselves through enslaved ancestors, free and freed people and slave holders. There are many of us who seek the receipts that establish this more contentious family history, fraught with scars and triumphs, that confirms and grounds a movement toward freedom and self determination.
The fears of the last century about the reach of one book that captured the imagination of millions as a faulty model for genealogical research were ultimately unfounded. After Haley’s book was published and the program series Roots aired, “letters of inquiry and applications to use the National Archives rose 40%. General interest in genealogy continues, as it offers a path to situate personal history in the larger context of national history, and to continuing education.
Recently, course offerings for genealogists are focused on writing family histories, and now, genealogical societies are taking it one step further and offering seminars on writing historical fiction based on family history. What the Abolitionist movement of the nineteenth century knew was that an audience had to hear not just facts, but a narrative, conveyed by a powerful voice or on the page, and if possible, to offer visual proof through photographs— all media used to convey their urgent message.
Ultimately, our task is to make visible and thereby end the historical erasure of difference (ethnic, race, gender, class) in the historical and genealogical record, and thereby honor those who came before us, our ancestors and their struggles.
1. BlackProGen LIVE, 11 October 2016. Ep.20b Talks Diversity in Genealogy and Family HIstory. https://www.youtube.com/watch?v=G1Z7Anc4Fj8&t=2s
2. Nicka Smith, “The Problem of the Color Line”, Who is Nicka Smith?.com http://www.whoisnickasmith.com/genealogy/the-problem-of-the-color-line/
3. Elizabeth Shown Mills and Gary B. Mills. “The Genealogist’s Assessment of Alex Haley’s Roots.” National Genealogical Society Quarterly 72 (March 1984): 35–49. 35-36. Digital image. Elizabeth Shown Mills, Historic Pathways. http://www.HistoricPathways.com : [9 Oct 2016].
4. “Although some Americans have been conditioned to superimpose racial divisions upon almost all aspects of life, such academic distinctions cannot exist in the science of genealogy. It is true, at the same time, that certain procedures in the pursuit of black genealogy do differ from those in the pursuit of English genealogy, that the pursuit of ancestral research among white Creoles of Louisiana is different from that among the Pilgrims of Massachusetts, that research in Virginia differs from research in Tennessee, that research on black families in Alabama differs from that on black families in New York.” Elizabeth Shown Mills and Gary B. Mills. “The Genealogist’s Assessment of Alex Haley’s Roots.” National Genealogical Society Quarterly 72 (March 1984): 35–49. 35-36. Digital image. Elizabeth Shown Mills, Historic Pathways. http://www.HistoricPathways.com : [9 Oct 2016]
5. Gary B. and Elizabeth Shown Mills, “ROOTS and the New ‘Faction’ a Legitimate Tool for Clio?.” The Virginia Magazine of History and Biography, 89:1, Jan 1981, 4. Digital image. Elizabeth Shown Mills, Historic Pathways. http://www.HistoricPathways.com : 15 Oct 2016.
6. “The structural racism lens allows us to see more clearly how our nation’s core values— and the public policies and institutional practices that are built on them — perpetuate social stratifications and outcomes that all too often reflect racial group sorting rather than individual merit and effort. The structural racism lens allows us to see and understand: the racist legacy of our past; how racism persists in our national policies, institutional practices and cultural representations; how racism is transmitted and either amplified or mitigated through public, private and community institutions; how individuals internalize and respond to racist structures. The structural racism lens allows us to see that, as a society, we more or less take for granted a context of white leadership, dominance and privilege.” The Aspen Institute Roundtable on Community Change, Structural Racism and Community Building. June 2004, 12. https://assets.aspeninstitute.org/content/uploads/files/content/docs/rcc/aspen_structural_racism2.pdf Accessed 9 Oct 2016.
7. See the steps and bibliography for James Ison’s syllabus “Using the Genealogical Proof Standard for African American Research” presented at two national conferences in 2010 https://familysearch.org/wiki/en/Using_the_Genealogical_Proof_Standard_for_African_American_Research Accessed 15 Oct 2016
8. Edmund Morgan quoted in Israel Spencer, NYT, 10 Apr 1977; in Mills, “ROOTS and the New ‘Faction’, 4.
9. Alex Haley, quoted in Nancy Arnetz, “From His Story to Our Story: A Review of “Roots”. Journal of Negro Education, 46:3, Summer 1977, 367-372. http://www.jstor.org/stable/2966780, 367
10. Arnetz, “From His Story to Our Story: A Review of “Roots”. Journal of Negro Education, 367-372, 368.
11. “Without community there is no liberation, only the most vulnerable and temporary armistice between and individual and her oppression. But community must not mean a shedding of our differences or the pathetic premise that these differences do not exist. Those of us who stand outside the circle of this society’s definition of acceptable women; those of us who have been forged in the crucible of difference— those of us who are poor, who are lesbians, who are Black, who are older— know that survival is not an academic skill. It is learning how to take our differences and make them strengths. For the master’s tools will never dismantle the master’s house. They may allow us temporarily to beat him at his own game, but they will never enable us to bring about genuine change. And this fact is only threatening to those women who still define the master’s house as their only means of support.” Lorde’s title and her question remain pertinent: “What does it mean when the tools of a racist patriarchy are used to examine the fruits of that same patriarchy?” It is important to note that this seminal essay was written in acknowledgement of the lack of participation of Third World women of color at NYU’s Institute for the Humanities Conference. Audry Lorde, “The Master’s Tools Will Never Dismantle the Master’s House.” Sister Outsider: Essays and Speeches. Ed. Berkeley Press, 1984. http://muhlenberg.edu/media/contentassets/pdf/campuslife/SDP%20Reading%20Lorde.pdf Accessed 16 Oct 2016.
12. Consider the development of networks of genealogical organizations AAHGS and institutes, such as MAAGI, the AAHGS’ Afrigeneas.org project, the explosion of genealogical groups on Facebook, and efforts such as the transcription of the Freedmen’s Bank papers on FamilySearch among many others that point to the blossoming of the field. There remains more to be done in terms of acceptance and incorporation of difference for genealogy by POC.
13. “Structural Racism Produces Racialized Outcomes.” See Chart, Structural Racism and Community Building. The Aspen Institute Roundtable on Community Change. June 2004, p12. https://assets.aspeninstitute.org/content/uploads/files/content/docs/rcc/aspen_structural_racism2.pdf
I recently discovered the podcast Uncivil (Gimlet Media) in searching for significant events for discussion on the upcoming episode of Black ProGen Live. Right now, Uncivil consists of 10 episodes so far, spanning different episodes in nineteenth century US Civil War history The latest show ( Ep. 10 podcast, released 27 December 2017) dealt with the myth of the Black Confederate soldier.
Uncivil is hosted by Chenjerai Kumanyika, author, journalist, and professor of journalism and communications at Rutgers University, and Jack Hitt, a Peabody Award-winning journalist, author and radio producer. The programs intend to bring “stories that were left out of the official history of the Civil War, ransacks America’s past and takes on the history you grew up with.” Indeed, we need these reexaminations, and it’s great to have this material available to think with.
The trajectory of this particular story followed an arc that began with unpacking of historical knowledge via a young caller to the show, and culminates with the descendants of Silas Chandler (1 Jan 1837-Sept 1919). They discovered their ancestor being discussed in a photograph brought to Antiques Roadshow in 2009. During the program, the moment to explain enslavement was lost, the myth took over, leading to a division of the Sons of Confederate Veterans placing a metal cross on his grave in Mississippi, and stealing Silas Chandler’s image by reproducing it on various surfaces from t-shirts to films, prints and photos all proclaiming this evidence of participation.
The Weight of Images & Problematic Histories
The photograph is a tintype, and close up, its surface reveals a cracked emulsion with an ornate copper colored metal edge. Notable details are the position of the two men, side by side, visually composed to emphasize their inequality. The younger Andrew Chandler’s hips were elevated to lend height well above Silas, whose seat is tilted back at the hips to make him seem shorter than his slave owner’s. To read Silas’ smile is to read a face weary of waiting for a moment, if not the war and slavery itself, to be over.
Sites that proclaim that they have ‘evidence’ of Black Confederate soldiers, and one features a painting of a Civil War battlefield, no location just a battle scene. Just off center, is a kneeling black man holding the head of a white man wearing the gray uniform of the South. The military serviceman is injured and bleeding into a large handkerchief. It’s white surface creates an area that visually marks and makes central for the viewer, the tableau with a enslaved adult man at the center. He has no arms no gun, no rifle, he simply serves and tends to the white master, an ideological composition that seeks to deny historical reality by providing a romanticized tableau. This same idea was extended to the photograph, a plain effort to define Silas Chandler as a soldier. He was not.
As Myra Chandler Sampson (Silas Chandler’s great-granddaughter) and Kevin M Levin note, “Interest in Silas’ military career has been fueled by a desire to affirm that Southern blacks were just as eager as whites to fight back against the invaders— an attempt to validate the belief that the war did not ignite over slavery but over predatory Northern acts.” They go on to ask: So what role did Silas really play in the war, and why did he choose to fight for the South—if he actually did? One thing is clear: Ever since the SCV posthumously ‘honored’ Silas, an enslaved body servant who accompanied his white master into service, accounts of black Confederate troops have surged in popularity, with some now claiming that upwards of 100,000 blacks fought willingly in Southern ranks.
While there were a small number of enslaved black men who served in the Confederacy, but they comprised less than 1% of those who served. A 2015 article in The Root, goes into further details about this controversy. In a nutshell: “How many supported it? No one knows precisely. But by drawing on these scholars and focusing on sources written or published during the war, I estimate that between 3,000 and 6,000 served as Confederate soldiers. Another 100,000 or so blacks, mostly slaves, supported the Confederacy as laborers, servants and teamsters. They built roads, batteries and fortifications; manned munitions factories—essentially did the Confederacy’s dirty work.” Note that African Americans were unable to enlist in the Confederacy until an order was issued in March 1865, the last month of the war. In contrast, almost 187,000 African Americans joined the Union Army over the course of the war, with numbers rising for the last two years.
Details That Matter: The move towards freedom
Why does the story matter? Because this was a myth fed to fourth grade children in social studies texts and museum exhibits organized by descendants of the confederacy. There’s potential for these scenarios to be incorporated and disseminated into some family histories and genealogies, effectively casting the shadow of confederate myth over a lineage while declaring a white nationalist identity.
Silas was born into slavery on 1 January 1837 in Virginia and two years later, his slaveholder, Roy Chandler moved him and 39 other enslaved people along with the Chandler family to Palo Alto in Clay County, Mississippi. As an adult, once freed, Silas kept his owner’s surname.
Roy Chandler claimed a land grant after an 1831 treaty that displaced thousands of American Indian peoples in the area, and gave white settlers some 11 million acres of state land. Silas became the body servant to Roy Chandler’s son, Andrew born in 1844. Silas sits alongside Sergeant Andrew Chandler, the white man in uniform in the photograph. Yet the fear of armed black men ran rife through the Confederacy, and they supplied no guns, nor permitted combat roles for African Americans until the final weeks of the war; add the fact that thousands of African Americans were supportive of the North, to the point of escaping to Federal lines, and the desperation to legitimize the myth of participation becomes evident.
Silas weighed his situation, and “likely gained even more freedom of movement when Andrew was wounded and captured at Shiloh in April 1862 and imprisoned… Deemed human property he was legally bound to Andrew.” Although Silas returned and helped his master return home after injuries at the Battle of Chickamauga. Extant correspondence shows Silas’ return would be to his wife and newborn child. Silas served again in 1864, going with Andrew’s younger brother Benjamin, who served in the 9th Mississippi Calvary.
Why Silas Chandler’s Story Matters
Silas Chandler was a carpenter and helped found the first black church, Mount Hermon Baptist Church in West Point, Mississippi. He married Lucy Garvin about 1860, “daughter of a house slave named Polly and an unnamed plantation owner.” They had 12 children, 5 who survived to adulthood, and one son was the great-grandfather of Myra Chandler Sampson. Silas lived to appear in the 1910 US Federal Census, where a glimpse of the life he built with his wife Lucy can be seen, some nine years before he died. In contrast, Palo Alto, MI, where he first lived in bondage, became a ghost town. It’s worth noting that the Wikipedia article on Palo Alto mentions that “In 1876, Palo Alto was the site of an incident in which a group of heavily armed white men brought a piece of field artillery and broke up a meeting of the Republican Club in order to suppress black voters.” This is just one of myriad examples of retaliation committed against people of African descent that numerous whites committed after Reconstruction and the passage of ‘black codes’ in 1865 and 1866. Despite their efforts, Silas Chandler raised his family and contributed to his community.
What I appreciate about the Uncivil podcast is the content, and the website’s clear layout and availability of transcripts, allowing one to easily search for subjects. As an adjunct to genealogical study, it helps bring to the table some of the issues that POC genealogists and their families face when working on family lines that head straight into terrain already complicated by locating material. Understanding documentary context helps with document analysis, and depending on one’s location, its easy to see how details can be used and misused to serve very different needs. Hearing voices waver, be insistent, vulnerable or firm, reminds one that this history still matters enormously. The events in Charlottesville last summer speaks to the urgency of projects that seek to unpack the historical pain and experience of those populations born or taken into slavery who made this country possible from its inception, and this foundational fact can no longer be ignored. We are still navigating this past.
In this case, the attempt to hijack family history for an ideological purpose was foiled, precisely because these descendants pressed on to tell their stories, writing, broadcasting and, Myra Chandler Sampson continues to speak truth to power. May we all find the strength to bring our ancestors into the light.