Hacienda Labadie: A Center for Enslaved Descendant Heritage

Hacienda Labadie, Moca, P.R.

While there are multiple sites and approaches to engaging the past in Puerto Rico, I understand there is no one location that can attest to the variety of experiences that ancestors had as they moved towards freedom. In this excerpt from part 4 of “Reconstructing the Missing Registro de Esclavos for Northwest Puerto Rico”, (Hereditas, 20.2,2024) I consider some of what I learned from attending meetings for different Enslaved Descendant Communities in Virginia to better understand how these gatherings and actions can work in the context of Puerto Rico. It is a privilege to see the work of these amazing groups that preserve the memory of these ancestors while providing access and resources for others who do this work.

Recently, the Municipio de Moca had a questionnaire about what the role of Casa Labadie is, however there was no questions that concerned the past before 1873. This kind of activity would supplement the efforts of the Middle Passage Ceremonies and Port Markers Project and PROPA – Puerto Rican Organization for the Performing Arts.

Enslaved Descendant Communities in the Context of Puerto Rico

At various historical sites today, the many descendants of various enslaved communities are connecting via the pairing of DNA and the digitization of archival materials.  This increased access to digitized documents is happening alongside large-scale efforts to collect, preserve and share these experiences and family histories of enslaved descendants.  When we consider Northwest Puerto Rico as the site of such activity, the locations linked to trafficking span oceans across a myriad of histories and transactions that creates a lacework of relationships. Clearly there is space for commemoration and memorialization of the lives that passed through the process of enslavement to emancipation over hundreds of years. 

Hacienda Labadie, Moca, P.R.
Hacienda Labadie, Moca, PR. Front of main building, Barrio Aceitunas, Moca, P.R. Photo: EFS, 2007

      A potential site for a center for Enslaved Descendant Communities is the Hacienda Labadie in Barrio Aceituna, Moca. Once owned by the Pellot family, it was sold to Pedro Labadie, and to his wife, Cecilia who was formerly enslaved there. The original buildings were of wood and rebuilt in a French architectural style in 1903, as it appears today. The history of enslavement at Hacienda Labadie extends a century earlier, when cultivation began to shift to the production of coffee and sugar.  Before the rise of sugar cultivation, the barrio was made up of the open pastures of military outposts. Just after 1800, the hato located in Barrio Aceitunas of Moca were subdivided and sold, often to the European emigres who arrived under the Real Cedula de Gracias of 1815⁠.[1]  Slavery diversified, and while numbers never approached those of other Caribbean islands, the economic system still relied on enslaved labor. 

The development of Enslaved Descendant Communities can provide advantages for families to research their ancestries at different locations and find ways to commemorate, memorialize and explore what reparations mean for descendants today.   The descendants of people enslaved by James Madison have organized into The Enslaved Descendant Community for Montpelier. Recently, they held a workshop to explore their options for memorialization of their ancestors who labored there. The results intend to recognize those who labored to create the landscape of Montpelier, whether it was those whose skills built the buildings, or those who worked at the big house in a variety of capacities or tended the fields of this plantation. This process offers a means to a fuller and more complex story of the site.

How to Proceed: The Rubric as Model

Fig 22: Cover, Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. (2018)

What Montpelier’s Enslaved Descendant Community uses as a blueprint for mapping potential projects together is a document called ‘The Rubric’ short for Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. [2] 

The Introduction opens with why this is necessary work: 

“What is the ideal relationship between descendent communities and institutions that interpret slavery? Historically, the relationship between these two groups is complicated: many institutions have avoided interpreting slavery, often from fear of estranging donors or visitors. While these fears are valid, by not interpreting the lives of the enslaved, institutions fail to tell a complete story. This failure perpetuates historical and ongoing trauma to the descendants of those enslaved there, and to anyone whose ancestors were brought to the Americas during the transatlantic slave trade. When institutions shy away from creating relationships with descendants, the failure speaks volumes to the descendant community, especially as these institutions continue to profit from their ancestors’ labor and pain⁠.”[3]

The enslaved people who provided the labor of plantations, farms and surrounding haciendas have had only passing acknowledgement over time — mostly as a class of enslaved workers rather than as a community with a shared experience in slavery. 

By making their participation visible, the historical narrative told can refocus on various aspects such as the law, architecture, even cultural trends that worked to constrain and expand their lives. Part of this shift “goes to the heart of genealogical practice regarding the ways that the families of enslaved people were documented. How do we record those enduring social links that existed despite their designation as mobile forms of property?” As genealogical practice undergoes desegregation, newer methodologies develop that can take advantage of what oral history, community history and DNA can offer.  While some of this activity is taking place online, access to records and a need for training others on working with these document sets is needed so that communities can find their ancestors and ancestral kin.  In turn, this process can continue to generate a better understanding of this past, its generational traumas and its profound resilience. 

Conclusion

My hope is that these initial family narratives show that there are many connections that can be made between the document sets produced through the process of emancipation- registration forms, census, municipal documents, parish records and the Registro Civil. There are some for whom an extensive tree can be constructed, and others, like the newborns inscribed by Laguerre, have no parent listed. Regardless, these documents lend visibility to the strategies and relationships that helped these communities survive. As social beliefs shift, these narratives serve as a confirmation of history and humanity, rather than a framework for a social problem.[14]  A plantation has multiple histories, not simply those of its owners. 

The process of forming Enslaved Descendant Communities in Puerto Rico at historic sites can work as an opportunity for connection and development.  Increasingly, people who are DNA testing are finding matches tied to Puerto Rico and are also seeking these ancestors. The coming years will see an increase in projects such as Enslaved Descendant Communities that combine digitization with archival materials to produce a fuller understanding of a past that connects so many ancestors, beyond the boundaries of Boriken. May we continue to learn their histories, may they rest in peace and power.  


[1]For more on Pellot and the rise of Hacienda Labadie, see Ellen Fernandez-Sacco “Reconstructing the Missing Registro de Esclavos Pt.1”  Hereditas, 20.2, 2019, 68-90. https://www.academia.edu/49048096/Reconstructing_District_3s_Missing_1872_Registro_Central_de_Esclavos_Part_1

[2] The Rubric: Deliverable from the 2018 National Summit on Teaching Slavery. Montpelier Descendants.org  https://montpelierdescendants.org/rubric/

[3] Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites: A Rubric of Best Practices. https://montpelier-documents.s3.amazonaws.com/Interpreting%20Slavery%2011-12-19.pdf

[4] E. Fernandez-Sacco, “Bound to History: Leoncia Lassalle’s Slave Narrative from Moca, Puerto Rico, 1945.” Genealogy, 2020 4:93, 20. https://www.mdpi.com/2313-5778/4/3/93

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Support My Birthday Fundraiser for PROPA (ends 4/21/2026)

PROPA Fundraiser

I’ve started a brief birthday fundraiser for PROPA, the Puerto Rican Organization for the Performing Arts based in Orlando, Florida. This is a first for me, that celebrates a significant birthday, and this goal brings friends, family and ancestors together into focus.

Preserving the cultural memory of Bomba y Plena also means working with care with the community and the genealogies of the families involved. The tangible momentary experiences carried in visceral knowledge can be shared so many ways. Among the organizations doing this is work is PROPA.

These practices and the resulting events are not hollowed out by demands of tourism. Neither does the approach to the academic study of Bomba replicate the colonizer’s strategy of taking a territory and extracting knowledge. You can listen to Melanie Maldonado Diaz, PROPA’s President, on a two-part episode of Rematriating Boriken that came out last year on YouTube.

Rematriating Boriken Podcast

This is community first. Holding events, such as the series around the Middle Passage Markers Project in Ponce (2024) and another coming in San Juan, that help keep the connections to the past alive . All of this is how this organization works, with its President, Melanie Maldonado Diaz, whose knack for linking people, places and ancestors on Boriken extends our understanding of the past.

I’d love to have your help!

A page for donations is on Facebook. Any amount is welcome.

#PROPA #ancestors #Boriken #Bomba

November 2025: Presentations & Podcasts

Migration & Names, Genealogy Quick Start, November 2025

This was a busy month! On Tuesday evening, I was a special guest on Shamele Jordon’s Genealogy Quick Start on the Migration and Names episode, talking about my third great grandfather in The Many Names of Telesforo Carrillo, based on a previous blog post. She is an amazing host, and I love her energy. Michael John Neill did the first part of the show, “Benjamin Butler Serves Research Suggestions” making suggestions for locating and verifying a very mobile ancestor who lived in several states over the course of his life.

While I spoke for just a half hour, i’m amazed at how a very long time researching ultimately distilled a story out of documents finally brought together. Thanks to the help of cousins, I pulled together documents to understand more about the struggles that each generation faced. Self identification and self determination weave through the lives of my ancestors. As a child in the South Bronx, I did get to meet Telesforo’s daughter Catalina, my great grandmother, who lived to be 104 years old. I ended with my grandfather’s 1925 passport, a folded page with the only photo of his first wife, Carolina Dorrios Picon and their three children, Bobby, Gloria and Sylvia Fernandez, in a photograph that is now a century old.

There are 213 episodes of Genealogy Quick Start, full of resources and recommendations for your browsing pleasure!

Rediscovering Latinidad, Season 7 Ep.8

Rediscovering Latinidad released their Kissing Cousin episode– Season 7 Ep. 8 – Cuando los primos se exprimen: La endogamia y el matrimonio entre primos, and I enjoyed talking with hosts Eduardo Rueda and Jellisa. Check it out as we go full cringe with endogamy and cousin marriage! This premier podcast about Latino genealogy, culture, heritage and rich layers of intersectionality also has a Patreon. With seven seasons of podcasts, Rediscovering Latinidad is a great resource for learning more about family history, with links for additional information on each episode page.

Rediscovering Latinidad Season 7 Episode 10

Rediscovering Latinidad also rereleased their most popular episode from Season 7 Episode 10, La Caida de 23andMe/ The Fall of 23andMe, with guests my cousin Teresa Vega and I. Teresa’s extensive knowledge of DNA and complex family histories adds to the discussion. Check out her blog, Radiant Roots Boricua Branches for fascinating research on Revolutionary War ancestors, ancestors from Madagascar, and deep dives into family history.

silhouette of Moses Williams, about 1802
Moses Williams, cutter of profiles

On November 19, I participated in the Library Company of Philadelphia’s virtual symposium Finding Moses Williams, along with four amazing scholars, who shared new insights on his art, life and family. He left a considerable body of work, and perhaps, descendants. So much to learn from these talks!

Here’s a list of the presentations:

Carol Soltis, Finding Moses in the Peale-Sellers family album.

Nancy Proctor, Presenting Moses at The Peale Baltimore.

Ellen Fernandez-Sacco, Not Yet Completely Free, The Context of Gradual Emancipation & the Family of Moses Williams 1776-1830.

Dean Krimmel, Locating Moses Williams in Philadelphia, new information about Moses Williams’s life and death based on a re-examination of Philadelphia’s primary sources.

Lauren Muny, Moses Williams, A Technical View.

View the Finding Moses Williams symposium on YouTube : https://www.youtube.com/watch?v=ZLxsuixugCk

ps just replaced the link for the symposium, and they’re working now!

Wishing you a very happy December! Seneko kakona!

Finding Moses Williams: a virtual program, 19 Nov. 2025

silhouette of Moses Williams, about 1802

Thrilled to announce i’ll be presenting along with four other speakers at an upcoming virtual program. The Library Company of Philadelphia’s Program in African American History and the Center for American Art at the Philadelphia Art Museum are sponsoring the event.

My twenty minute talk, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia, 1776-1830.” presents the results of an archival journey. While I searched for information on Moses Williams, I instead found indentures in the Pennsylvania Abolition Society Papers for his family members that let me reconstruct his family tree. These records show how a Free Black family navigated a difficult economy in the decades before the 1838 census.

This talk draws on my article which appeared in volume 43 of the AAHGS Journal. The Sons and Daughters of the US Middle Passage awarded me the Phillis Wheatley Literary Award this past June for the article.

title slide, Not Yet Completely Free
title slide, Not Yet Completely Free,

Finding Moses Williams: the program

The other presenters are Carol Soltis, Nancy Proctor, Dean Krimmel, & Lauren Mulvey with an introduction by Sarah J. Weatherwax, Senior Curator, Library Company. Appreciate the knowledge shared & discussed over the preceding months with artists and scholars whose work focuses on Moses Williams. There is much to learn about Williams life, art and family.

Please register at the link below the program description:

profile of Moses Williams ca 1802

Finding Moses Williams

Free Virtual Program

November 19th , 2025 at 1 PM ET

This program of illustrated talks by five speakers focuses on the identification of the exceptional hollow-cut paper profiles created by Moses Williams (1776-1830) at Peale’s Philadelphia Museum and on presenting new historically accurate information about Williams’s life and family. Moses’s parents were manumitted by Peale in 1786 and Moses, who was born enslaved, was then indentured to Peale by his parents until age twenty-eight

Raised within the Peale family, Moses was literate and trained in skills for creating and installing the Museum’s displays of art and natural science. After the installation of a physiognotrace device for creating hollow-cut paper profiles in 1802, Moses was freed and given the concession to operate this new attraction. The popularity of this inexpensive form of portraiture and the highly accurate and elegant profiles Moses cut, made him financially independent.

Recent research into Moses’s life provides us with a clearer understanding of his artistry and other activities, as well as his death date and the identity of his descendants. And, the story of Williams’s birth family illuminates how the practice of indenture used by Free Black families, like the Williams family, was a strategy for seeking financial stability.

A small selection of Moses Williams’s profiles will be on display at the Library Company during November and December and in the Peale Gallery at the Philadelphia Museum of Art.

REGISTER HERE

This program is sponsored by the Library Company of Philadelphia’s Program in African American History and the Center for American Art at the Philadelphia Museum of Art.

Vale Ancestors of Camuy: Estevan Vale

Vale Ancestors of Camuy: Estevan Vale
Vale Ancestors of Camuy: Estevan Vale

A few weeks ago, I saw a hint on my Ancestry family tree for Estevan Vale Caban. To my great surprise, it included a photograph! Could it be my great uncle? 

After finally locating the origin of a foto for Estevan Vale in Ancestry’s Passports database, I was struck by how much of a desire there is for an image of an ancestor. For some apparently, this desire was so strong, it overrode taking a closer look at the pages for the record the photograph came from. Yet I learned more about another branch of my family by searching for more on him.

Estevan Vale: dapper & traveling

Estevan Vale was born on Christmas Day, 1867, in Barrio Membrillo, Camuy, the son of Joaquina Vale. She is alive around 1892, when his brother’s grandchildren were born. Her death record remains unlocated,. It seems as though she evaded the pages of the Registro Civil, yet by chance, she is mentioned in her children’s records.

The photograph shows a seated dark skinned man with tight hair in a white shirt, light striped double breasted jacket and contrasting satin tie. The fact of his style and the tie dates the photograph to the early decades of the 1900s. His eyes are unusual. He appears to be staring because of the flash bulb used to take the photo, as his eye color is listed as black. His gaze takes in every detail as he moves between nations. He planned to go under an agricultural permit to Cuba, sailing on the Santiago de Cuba out of Ponce sometime in October 1919. He signed the document with his mark on 27 September 1919.

In order to find out more, my search broadened timewise, and I began by looking for him and his mother, Joaquina Vale, who is mentioned in the document.

Joaquina’s children: Camuy, 1872

JOAQUINA’S CHILDREN: Antonio, Aniceto, Dionisio, Estevan 1872 Registro de Esclavos, Camuy. FamilySearch

There, across two pages of the 1872 Registro Central de Esclavos for Camuy appear the seven children of Joaquina, all of them enslaved by Vincente Vale Caban (b. 1806, Moca-d. 1889 Camuy ) : Antonio 18, Aniceto 13, Dionicio 14, Ysabel 8, Ynocencia 6, Maria Antonia 11, and the last child on the first page– 10 year old Estevan. Aside from Joaquina’s children, there’s only 16 year old Nicomedes, the son of Martina who is also recorded as held by Vicente Vale in Barrio Membrillo, Camuy.


JOAQUINA’S CHILDREN: Ysabel, Ynoncencia, Maria Antonia, 1872 Registro de Esclavos, Camuy. FamilySearch

Vicente Vale Cordero, Barrio Membrillo

Vicente Vale Cordero (1806-1889) is my second great grand uncle, and I was unaware of enslavers on the Vale line until now. In part, that was because he lived not where most Vale lived, in Moca or Aguadilla, but in Camuy’s Barrio Membrillo, a different district. How he wound up there doesn’t have a concrete answer at the moment, however, there was an exodus out of many municipalities during the 1820s and again by 1849, due to drought and other conditions.  These Vale may appear on municipal documents or notarial documents that lend more details about their lives. Vicente Vale was an enslaver, and after the Moret Law and the administrative development of the Registro Central de Esclavos, Vale became a local official.

In the recent cluster of 865 sets of documents under the Gobierno de Puerto Rico that were uploaded to FamilySearch are four slips from 1868 signed and stamped by Vicente Vale as sindico suplente (substitute officer) of Camuy, verifying the identity and ownership of enslaved persons belonging to other enslavers. These documents supplemented the creation of cedulas (registration papers) for each person. Vale then, was employed by the Mayor’s office that sent documents to the Registro Central de Esclavos. I’m currently looking for more information about that post.

Vicente Vale Sindico suplente de este pueblo. Certifico que Ysabel, esclava de D. Miguel del Rio y de su propiedad y de oficio cocinera, y de estado soltera, y para que consta libro el presente en Camuy a los doce días de Abril de mil ochocientos sesenta y ocho. [Firma] Vicente Vales, Alcaldía Ordinaria, Camuy. FamilySearch https://www.familysearch.org/ark:/61903/3:1:3QHV-WQ1C-43PY-B?view=explore

What’s odd is that while Vale family appears in the 1872 Registro Central de Esclavos volume that includes Anasco, they are not among the individual 1868 cedulas for Anasco- apparently the set of cedulas are incomplete.

We know that Joaquina is criolla, born into enslavement on Puerto Rico. So far, Joaquina’s children decided to take on the Vale surname after emancipation. Where exactly they labored in Vale’s farm or home, isn’t specified beyond a barrio, and will need more research to locate.

Map of Barrio Membrillo, Camuy
Barrio Membrillo, Camuy. From Jose Sierra Martinez, Camuy: Notas para su historia. p.6

The Vale Family in Census Records

Family Tree of Joaquina Vale pt. 1 by author, May 2025

By 1930, Esteban’s sister Tomasa Vale lived next door to her sister Maria Antonia Vale Rico; both women left Barrio Membrillo and moved to the San Juan area to increase their chances for work. Tomasa Vale supported her household by working as a lavandera on calle Martin Pena Chanel in Santurce. Cristina lives with her second husband, Felix Ortiz Ortiz. Also with the couple are her three children.  She worked as a planchadora, an ironer, so it’s possible the sisters shared a business, or worked independently in the service industry.

In the 1940 US Federal Census for Camuy, Estevan, now 80 years old and his sister Ysabel Vale are in the household of Pedro Maldonado y Camacho and Emilia Gonzalez. They are listed as ‘tio‘ and ‘tia‘ respectively. The siblings appear with the maternal surname of Ahorrio, which may be a strategy to acknowledge their paternal lineage, safely used decades after their birth. Often this use comes up long after a father made his transition, so there is no familial repercussion.

The detail that tells us something about Joaquina is in the relationship to the head of household listed– Estevan and Ysabel are aunt and uncle to Pedro Maldonado Camacho. This suggests that Joaquina used Camacho, or perhaps had a partner with the surname. when looking at Pedro’s half sister, Ynocencia Vale Camacho, her death record has her father as Ramon Vales (bca 1827) and mother as Joaquina Camacho. Yet no records for Ramon beyond this entry turns up- or was he actually Ramon Camacho? This Ynocencia is may or may not be the same Ynocencia that appears on the pages of the 1872 Registro, with listed as the daughter of Joaquina. Another death record for Leon Camacho (1853-1923) of Camuy lists only his mother, Joaquina Camacho.

At the very least, Joaquina had seven children between 1857 and 1867; she herself appears on no cedulas, suggesting that she may have already obtained her freedom. In her grandson’s birth certificate she is referenced as ‘Joaquina Vale Liberta’, as is her son, ‘Antonio Vale liberto sin segundo apellido’. Yet by appending liberto, the municipal government calls out a status that supposedly ended in 1876, when the emancipated also became full citizens. Maria Cristina Vale Rico’s Acta de Nacimiento was filed in October 1888.

May we learn more about the struggle & resilience of these ancestors.

References

Esteban Vale, No. 5330, 7 Oct 1919. National Archives and Records Administration (NARA); Washington D.C.; NARA Series: U.S. Passport Applications, Hawaii, Puerto Rico and Philippines, 1907-1925; Volume #: Volume 24: Passport Applications- Puerto Rico. Ancestry.com. U.S., Passport Applications, 1795-1925 [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2007. https://www.ancestry.com/search/collections/1174/records/2314650?tid=&pid=&queryId=135e671f-c092-46ae-9f31-787481ca2bca&_phsrc=rHz1&_phstart=successSource

Children of Joaquina, “Puerto Rico records,” images, FamilySearch (https://www.familysearch.org/ark:/61903/3:1:3Q9M-CSV2-K76P-8?view=index : Mar 20, 2025), image 114 of 130;

Ysabel, “Arecibo, Puerto Rico records,” images, FamilySearch (https://www.familysearch.org/ark:/61903/3:1:3QHV-WQ1C-43PY-B?view=explore : Mar 20, 2025), image 11 of 147; .

“Puerto Rico, Registro Civil, 1805-2002”, , FamilySearch (https://www.familysearch.org/ark:/61903/1:1:QVJ4-ZRFL : Tue Mar 11 20:12:35 UTC 2025), Entry for Inocencia Vales Camacho and Ramon Vales, 26 Jul 1938.

“Puerto Rico, Registro Civil, 1805-2002”, , FamilySearch (https://www.familysearch.org/ark:/61903/1:1:QVJ4-Z34R : Tue Mar 11 14:13:47 UTC 2025), Entry for León Camacho and Joaquina Camacho, 13 4 1923.

“Puerto Rico, Registro Civil, 1805-2002”, FamilySearch (https://www.familysearch.org/ark:/61903/1:1:QVJ7-HK7X : Tue Mar 11 03:27:36 UTC 2025), Entry for Maria Cristina Vale y Rico and Antonio Valez Liberto.

Celebrating My Phyllis Wheatley Award Recognition

Silhouette of Moses Williams, Cutter of Profiles, 1802

Thrilled to learn that I was awarded a Phyllis Wheatley Award for my article, “Not Yet Completely Free: Gradual Emancipation, and Moses Williams’ Family, Philadelphia 1776-1833.” from the Sons and Daughters of the US Middle Passage (SDUSMP)! The article is in the AAHGS Journal v.43 Winter issue.

The Phyllis Wheatley Award Ceremony is coming up on Friday, June 6, 2025, at 6:00 PM, as part of the SDUSMP’s 9th Annual Genealogy and Community Learning Conference. This year’s conference theme is: From Bondage to Legacy: Interactive Paths to Reclaiming Our Heritage in the Age of Erasure.

Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of Moses Williams, Cutter of Profiles, 1802

Appreciate those people who have read various drafts, made suggestions or discussed issues with me; thanks to Guy Weston and the AAHGS Journal, for accepting the article for the journal, and to LaJoy Mosby, who invited me to be part of discussions on it. To Dean Krimmel, a deep appreciation of having the opportunity to talk about Williams; also to Nancy Proctor of The Peale Baltimore for encouraging my research on him and including me among a group of scholars and artists who continue to research him.

Deep thanks to Bernice Bennett, for having me on her new podcast, Ancestor’s Footprints. She gave me an opportunity to share what I learned about the Williams family and how they dealt with the terms of gradual emancipation in Philadelphia. Looking forward to Faye Anderson’s project of having a memorial marker installed in Philadelphia so more people can learn about Moses Williams. May his legacy and that of his family continue despite any attempt to erase or obscure this history.

May the ancestors rest in power.

The Story of Moses Williams: on Bernice Bennett’s Ancestor’s Footsteps

image of player for Moses Williams Ancestor's Footprint

I’m happy to share that my interview with Bernice Bennett on her podcast, Ancestor’s Footsteps will be on air, tomorrow, March 24 on Spreaker– the link is below.

In “Moses Williams, his Family & Gradual Emancipation. ” I offer a brief overview of what I learned about the Williams family in Philadelphia in the Early National period, based on my journal article, “Not Yet Completely Free” in the Winter v. 43 issue of the AAHGS Journal.

Bernice’s new podcast is a wonderful source, where you can listen to her & her guests discuss a wide range of historical and contemporary topics weekly, so be sure to tune in!

https://www.spreaker.com/episode/moses-williams-1776-1830-his-family-gradual-emancipation-with-dr-ellen

Not Yet Completely Free – An Evening with AAHGS Journal Writers: 12 Feb 2025

flyer An Evening with AAHGS Authors for 12 February 2025

So happy to announce i’ll be talking about my recent publication in the Winter 2025 issue of the Afro-American Historical and Genealogical Society Journal, “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, 1776-1833.”

I’ll discuss the 1780 Gradual Emancipation Act in Philadelphia, part of the lesser known history of Northern slavery. By tracing the family histories connected to the silhouette artist and museum artisan and assistant Moses Williams (1776-ca 1833) one can catch sight of the challenges experienced by African descended and multiethnic Free People of Color in their emancipation process in this city. Williams was among the children of John and Phylis Williams, a couple held in bondage until 1786. He worked in the Philadelphia Museum of Charles Willson Peale from his childhood to adulthood and was manumitted about 1802.

Shamele Jordon will present on the heritage of Green Book locations in New Jersey, and Mary Belcher and Guy Weston will discuss recovery and reclamation of Black cemeteries in Washington DC and Flushing New York.

The event is for AAHGS members, so join today!

Black History Month: a guide for the perplexed

carte de visite, Baltimore 1870s
carte de visite, Baltimore 1870s
studio portrait, Baltimore, 1870

Confused as to the importance of Black History Month?

Here’s a handy reference guide so you don’t forget:

January….. Black History Month

February…. Black History Month

March ……. Black History Month

April ………. Black History Month

May ………. Black History Month

June …..…. Black History Month

July ……….. Black History Month

August …. Black History Month

September …. Black History Month

October ……… Black History Month

November …. Black History Month

December …. Black History Month

Recommended

Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History. Beacon Press, 1995.

Moses Williams: The First Black Museum Professional

Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of Moses Williams, Cutter of Profiles, 1802
Silhouette of Moses Williams, Cutter of Profiles, 1802. Library Company of Philadelphia

So happy to share that “Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia 1776-1833. ” is in the latest issue of the AAHGS Journal!

Volume 43 Winter Edition of the AAHGS Journal is available via Amazon. Editor Guy Oreido Weston brought together articles that span several states. The issue delves into family and local histories, the recovery and reclamation of Black cemeteries in Washington DC and New York.

Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia 1776-1833.

Moses Williams is a paradigmatic figure for the 250th Anniversary of the founding of our country. Born into slavery in 1776, and eventually freed by 1803 under the terms of the 1780 Gradual Emancipation Act, Williams was the first Black museum professional. For a time, he owned property and a house at 10 Sterling Alley; he had a wife and at least four children. Raised in the museum, in proximity to the Peale children, Williams learned how to read, how to prepare birds and other animals for displays. Eventually he cut silhouettes there using a patented machine. In 1810, he considered his role important enough to tell the census enumerator that he ‘attended at the Museum’.

Now in 2025, an amazing group of historians, curators, writers and artists from different institutions & independent professionals are focusing on Williams’ life and craft. This is a sea change from the shock I experienced listening to an exasperated curator ask why look at him? in the midst of the Peale exhibition touring nationally some two decades ago. I published my first article in Museum Anthropology detailing what I learned about Williams, who also figured in my dissertation. This built on then-current Peale scholarship on the audience for Peale’s Museum. Black history did not figure into the history of museums, even though to function, some institutions were dependent on the labor of enslaved and indentured persons. Similar to Monticello, the Peale project suffered from a segregated history that has changed since the late 1990s.

Since then, Williams has been recognized as an artist and artisan in his own right, part of a growing community through exhibitions organized by Gwendolyn DuBois Shaw and other scholars. There is also an initiative by Faye Anderson, Director of All That Philly Jazz; she also serves on the Advisory Council on Historic Preservation, and plans to have him remembered with a historical marker where his former home stood, to be featured in future walking tours of the city.

Thanks to Nancy Proctor’s leadership at The Peale Baltimore’s Community Museum, much is done to anchor Williams’ memory into the 21st century– through the Accomplished Arts Apprenticeship Program and the creation of a Moses Williams exhibit at the museum. All of these projects do not just focus in on Williams, but intersects with community, provide spaces for connecting to the fabric of historic Philadelphia and present day Baltimore.

Williams is a historical figure I can relate to. He knew a lot about many things, was literate and skilled with his hands. When I went to museums I found myself connecting to the people who worked there cleaning, protecting and maintaining the collections, and so I see him as a kindred spirit, an ancestor who deserves to be taken seriously. To see the constructed nature of the display, its arrangement, the acquisitions taken as booty in wartime, silenced behind display labels shows the larger threads that colonization wove to establish particular kinds of truth. There was a silencing or veiling of the destruction of Native settlements and the genocide that accompanied these early campaigns, also tied to an economy built on the backs of enslaved people. Despite these challenges, Williams’ presence is there, part of a larger story of this nation.

Beyond the display were questions of family. Even with what was reconstructed and recently discovered, there remain questions and the hope of finding more fragments to pull together. I’m part of a group that shares these new finds. Public historian Dean Krimmel working with The Peale found a probate file showing that he died 18 December 1830; of three daughters, two, Louise and Sarah are named, his son Carl became Charles. Now we know he had four children with Maria– whose surname remains unknown. The likelihood of finding descendants today increases with these additional names.

Descendants of John & Phillis Williams- The Williams Family Tree

But back to Williams and his family. Their experiences resonate, as they lived under the threat of kidnapping and forced deportation, the result of the constitutional amendment passed in 1793– the Fugitive Slave Act. They did everything to insure their family’s survival, even if that meant separation by indenture. My research uses details from the Pennsylvania Abolition Society Papers, church records, the Peale Papers, newspaper accounts, census records and other items to reconstruct two generations of the Williams family. My hope is that this reconstruction makes it possible for descendants to connect.

Hope, resilience and faith in a better future drove their choices. To face the future despite the challenges is what defines the Williams’ family history.

May the ancestors rest in power.